-TRAGOVI ZUBA-
TEETH MARKS
KONCEPT
TRAGOVI ZUBA
Umetnost se u kontekstualnom smislu javlja na dva nacina; ili je primarno estetizovana (gde se posvecuje paznja materijalu,tehnologiji i likovnosti) ili je angazovana-politicka sa konkretnim drustveno socioloskim stavovima i implementiranim kritikama (gde se posvecuje paznja sadrzaju). Serija litografija “Tragovi Zuba” Sanje Zigic pruza nam upravo i jedno i drugo u podjednakoj kolicini i intenzitetu ali sa drugacijim pristupom i nacinom predstave ovih celina (estetske i sadrzajne).
Na prvi pogled litografije Sanje Zigic
ukazuju na vrlo vesto estetizovane radove u kojima boje, medjusobni odnosi boja, linija, kompozicija, potez ... dominiraju i govore o postovanju osnovnih
nacela umetnickih disciplina koja nalazu da umetnost mora da bude skladna i
lepa. Crtez, kao i boja, je glavni nosilac kompozicije koji sugerise na osecaj
haoticnosti, cak i u prisustvu geometrizacije i svedenosti. Igra bojom i
crtezom vodi do novih kompozicionih vrednosti i simbolicke samostalnosti koji
su takodje vidljivi i na zasebnim odeocima (celinama) na grafici. Kompozicijska
sklad i haos se neprestano smenjuju pred ocima publike i na taj nacin
vizuelno-estetska igra nikad ne staje.
No u moru estetizovanih komponenti i
elemenata se vesto krije vizuelni element koji kroz svoje simbolicko tumacenje daje
litografijama Sanje Zigic i onu drugu, sadrzinsku, dimenziju. Iako na prvi
pogled (upravo zbog vizuelno-estetske dominacije) grafike Sanje Zigic ukazuju na l'art pour
l'art pristup, tek posle malo duzeg
sagledavanja i razmatranja, prethodno spomenuti simbolicki element preuzima
ulogu dominantnosti na grafici i sadrzaj postaje primaran. Simbolicki element o
kojem se radi jesu zubi a sadrzinsko tumacenje je drustveno – socijalno.
Simboli (zubi), iako konkretni mogu da se tumace/citaju na vise nacina sto
publici pruza visestruke interpretacije i poruke. Na kraju se sa sigurnoscu
moze tvrditi da grafike Sanje Zigic pruzaju estetsko jedinstvo u haosu boje i
crteza kao i bogat spektar tematskih i konceptualnih idejnih sadrzaja.
CONCEPT
TEETH MARKS
The art in terms of context occurs in two
ways; it can be primarily esthetical (where attention is paid to materials,
technology and visual content), or it can be engaged with a specific
political-social attitudes and implemented sociological criticism (where
attention is paid to the content). Series of lithographs called "Teeth
marks" by Sanja Zigic gives us exactly both in equal quantity and
intensity but with a different approach and way of presentation of these principles
(aesthetic and content).
At first glance, lithographs of Sanja Zigic suggest aesthetic and very skillful works in which color, mutual relations of colors, lines, composition, stroke... dominate and indicate respect for basic principles of artistic disciplines, which require that art must be harmonious and beautiful. Drawing, as well as color, is the main carrier of the composition and strongly suggests the sense of chaos, even in the presence of geometric and reduced segments of the work. Play with color and drawing leads to new compositional and symbolic values, which are also visible on separate parts (units) on graphic prints. Compositional harmony and chaos continually turns the eyes of the audience and thus visual-aesthetic game never stops.
But in the sea aesthetic components and elements are skillfully hidden visual element which through its symbolic interpretation gives lithographs of Sanja Zigic contextual and deeper dimension. Although at first glance (because of visual and aesthetic domination) graphics of Sanja Zigic indicate l'art pour l'art approach, however only after some longer period of observation and reflection, the aforementioned symbolic element takes on the role of dominance in the graphics and content becomes primary element. Symbolic elements in question are the teeth, and their content is the interpretation of social – existential motifs. Symbols (teeth), although concrete can be interpreted / read in many ways which gives the public multiple interpretations and messages. Finally, we can say with certainty that graphics of Sanja Zigic provide aesthetic unity in chaos of colors and drawing as well as an extensive range of thematic and conceptual content.
At first glance, lithographs of Sanja Zigic suggest aesthetic and very skillful works in which color, mutual relations of colors, lines, composition, stroke... dominate and indicate respect for basic principles of artistic disciplines, which require that art must be harmonious and beautiful. Drawing, as well as color, is the main carrier of the composition and strongly suggests the sense of chaos, even in the presence of geometric and reduced segments of the work. Play with color and drawing leads to new compositional and symbolic values, which are also visible on separate parts (units) on graphic prints. Compositional harmony and chaos continually turns the eyes of the audience and thus visual-aesthetic game never stops.
But in the sea aesthetic components and elements are skillfully hidden visual element which through its symbolic interpretation gives lithographs of Sanja Zigic contextual and deeper dimension. Although at first glance (because of visual and aesthetic domination) graphics of Sanja Zigic indicate l'art pour l'art approach, however only after some longer period of observation and reflection, the aforementioned symbolic element takes on the role of dominance in the graphics and content becomes primary element. Symbolic elements in question are the teeth, and their content is the interpretation of social – existential motifs. Symbols (teeth), although concrete can be interpreted / read in many ways which gives the public multiple interpretations and messages. Finally, we can say with certainty that graphics of Sanja Zigic provide aesthetic unity in chaos of colors and drawing as well as an extensive range of thematic and conceptual content.
Нема коментара:
Постави коментар